Andy Warhol: Back on the Bay with Myths and Legends


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Andy Warhol is back on the bay – at least his art is back.

Warhol and his art are were here 43 years ago at the opening of the Art Museum of South Texas.  I moved to Corpus Christi that year (1972) but did not see the exhibit.

The building was designed by modern architect Philip Johnson and was built at the entrance to the Port of Corpus Christi.  At the time it was a stark contrast from the modest neighborhoods that were nearby.

The museum’s website describes it perfectly.  “Constructed entirely out of white shellcrete and plaster, it seems to radiate with the strong South Texas heat and light. This was the purpose, as stated by Philip Johnson: ‘Light is the essence, and light coming in from all sides is especially bathing and soothing.’ The floor-to-ceiling windows offer a spectacular view of Corpus Christi Bay as well as the Harbor Bridge.”

The Art Museum of South Texas in 1972

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Today we have Corpus Christi Museum of Science and History, Harbor Playhouse, Museum of Asian Culture, Whataburger FieldAmerican Bank Center , Solomon P. Ortiz International Center, and Hurricane Alley all nestled and thriving in the shadow the Harbor Bridge.

The museum as it is today.

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The original on the right is the one Philip Johnson designed.  In 2006 the space was doubled with an addition designed by Mexican architects Ricardo Legorreta and his son Victor Legorreta and features 13 distinctive pyramids.  Ricardo Legorreta died in 2011 at age 80.

A current exhibit is “Warhol:  Myths and Legends, from the Cochran Collection” and will be on display until July 19.  The museum brochure describes it this way.  “Wesley and Missy Cochran of LaGrange, Georgia, share their collection of 36 of Warhol’s signature silkscreens.  The silkscreens were created starting in 1974 to just months before Warhol’s death in 1987 and include complete sets of his Cowboys and Indians and Myths series as well as celebrity images.”

The poured white concrete and shell aggregate walls of the museum were the perfect background for these iconic pops of color images of John F. Kennedy, John Wayne,  Mickey Mouse, Santa Clause, Sitting Bull, Warhol himself and others.  My favorites were those sprinkled partially with diamond dust.

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In a small alcove off the main exhibit were black and white photos of the construction and opening of the museum that also featured works of Jasper Johns and Frank Stella. Installed was a video interview of Warhol with a camera around his neck; he often kept a camera with him.  He would have undoubtedly embraced cell phones and the other devices we have today to capture each other as we all have our “fifteen minutes of fame.”

Reflected selfie of Crone, Husband and Son outside the museum.

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THREE SCORE AND TEN


Thirty-three years ago I wrote a simple poem for an old friend (REALLY old, I thought at the time) for her 70th birthday.  She has been gone for many years, but as I approach my own 70th year I remembered that poem and dug it out of my files.  It was composed in longhand and then typed without the assistance of  word processing.  In those days I often wrote basic rhyming poems for birthdays.  I am sure family and friends cringed inwardly when they got one!  Here is the poem.

For Nettie…in her Seventieth Spring

Nettie,
Ms. Lynn, if you please,
is a friend of mine,
but hard to define.

A gentle soul,
courageous fighter;
giving much,
reaching out to touch.

I see in her past
glory and sorrow.
Yet she’s come through it all,
still standing tall.

She brings sunshine and hope
wherever she goes;
a reminder of giving,
a vision of living

Happy birthday to a
lovely lady!
3/3/83

Nettie Lynn was Jewish.  Her family came to the United States from Russia.  She had only one child, a daughter, who would have been about my age had she not died as a young child.

As I enter my 70th fall…I remember Nettie and look both ways…past and future…and embrace today.

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